The Yanker and the Zapper

Just in from my friend Danny:

What strikes me first in this email is not the email but the To: list. First, it evinces that you are a collector of people.  I’ve been hearing about some of these people for over 20 years.   Second, I notice in the list a few curious and bold names, particularly David Eisele and Jeane Quivey.   This is an interesting stratagem, to include the yanker and the zapper, in your update.   They either will despise you for trivializing their life’s work (which in both cases is momentous and unachieveable by 99%+ of humanity), or bond with you for your irreverence to their acheivements.

He’s right on that.  I guess I am a collector of people, in the same way that people are collectors of things.  We treasure the memories that we have assigned to things (all those tchotchkes in our houses are mnemonics intended to remind us of different events we’ve experienced in our lives.  Except some times we cease to see them.)  And resident in people are all those shared memories.

To lose people is to lose a part of oneself.

But beyond that, people are so friggin’ cool.

Regarding the bold inclusion of my surgeon and radiation oncologist, I guess it’s symptomatic of the experiential Tourette’s that I’ve been expressing of late.  Do something bold and unqualified regardless of consequence.  At the same time, I feel I need to cc them in the interest of full disclosure.  And I also hope it will keep me honest.

Dr. Eisele, Dr. Quivey, Dr. Shiboski, Nurse Tang – if you do choose to read this, I’m counting on you to keep me honest.

And lastly, I have only the utmost reverence for the yanker and the zapper as practitioners, but more importantly as human beings.  Any trivialization of their life’s work and their persons in part reflects my own inability to communicate the immensity of it, as well as the responsibility we all have to keep one another humble.  In the end I’ve chosen to place my well being in their hands.  I doubt there’s any higher commendation.

Sparks

I met CatsM today. For those who haven’t read below, this is the chick who had a stage IV tumor of the parotid. Two months after finishing her last cycle of chemotherapy the punks have recurred in her lymphatic system. She said she’s actually proud of how strong her cancer is – it resisted even the goddamn chemo. And unfortunately this gal is worthy of a strong opponent.

It turns out I was wrong: when I wrote my last post she wasn’t within a six mile radius. It turns out that at the time she was only two blocks away. We’re living in the same neighborhood. I’m lucky. I had a tumor. Everyone around me has cancer.

But there we are, the two of us in this coffeshop, both of us members of the Club of Scarves intended to hide our beautiful exquisitely rendered scars and protect our forever sun sensitive necks. So where we at? I’ve had two surgeries so I’ve bested her one, but she had some chemo during her rt which made the whole experience pukable. Her body is a toxic soup of chemicals and nasty things that she’s trying to kill and in the heart of it she didn’t shit for two weeks and she puked up so much of the world that eventually she was puking up just water. Hands down she’s fighting the bigger one. Bless her heart. That’s actually a request to whomever is reading this.

She offered to take me out – I’m a guest in her city afterall. I told her forget it, I’m actually on a medical vacation.

Well I am too, she said.

Really? I asked.

I am so lucky, she said. So damn lucky. Before I had this, I was so unhappy. I was burnt out. I hated my job. I was fighting with my boss. I was fighting with my boyfriend. Since my diagnosis, it’s been the happiest time in my life. I’m so happy.

I wouldn’t believe it if I didn’t know it to be true. My 53 year old Czech Chernobyl friend tomorrow boards a plane to Tahiti. Last fall she was at the base camp of anapurna. This morning she bought a bowl of soup for her lunch, walked outside and promptly gave it to someone asking for change. Whatever. She’s spreading her wings at a point in her life when most people are tucking them in.

And I whither before the clear eyed gaze of the head scarved women who walk so calmly, scared, and forthrightly into the clinic.

Each morning I bump space with an elderly Vietnamese man in the men’s waiting room. He doesn’t speak much English and he must be in his 70’s which puts him in his 30’s during the Vietnam war. That guy no doubt has a story to tell. The first couple days we sat across from one another and nodded. A few days later we started to smile. A few days after that we would look at each other and laugh. It turns out we share the same linear accelerator table. If I show up early I scoop him. If I show up late he takes my spot. A few days ago that’s just what happened. When he stepped out from the treatment area he pounded me on the shoulder and laughed long and hard from the gut. He and I have never spoken.

It’s true that you can get there. But who among us would willingly pay the price?

Frank

What follows Robert Frank’s The Americans?

In part it has to be the act of looking at Robert Frank.  When looking at any two pictures of his, you’re looking at three.  The first, the subsequent, and the third that consists only of the connection between the sense of the two other pictures.  The third, the richest of all, exists entirely in your head.  It does little good (certainly lesser good) to look at a Frank picture on its own – they were not meant to stand alone, though many are quite capable of doing so.  I doubt that there’s a single Frank image that doesn’t reference all those that precede it, or even the ones that are to come.

So you really can’t take a picture of a Frank picture.  Unless of course you do it obliquely.  Or take a picture of people looking at Frank pictures.  Or snap one of the throwaways.  All of the dang throwaways.

That guy took a header straight into the maw of life.

Stars II

Night sky in San Francisco, taken in Union Square a few days after I got here.

© Andrew Lewis

© Andrew Lewis

It was actually just the pavement.   But sometimes it’s fun to pretend…

Temperature Stats

After my simulation my friend Danny and I sat for a while in the lobby of Mt. Zion discussing the course of treatment.

The stats:

Without radiation:  40-90% of recurrence.  100% chance of losing the facial nerve with further surgery.  In addition 2-5% chance of malignancy.  Using ballpark math, that equates to a 1- 4.5% chance of having a malignant tumor or and/or a 40-90% chance of eventually losing the facial nerve.

With radiation:  5% chance of recurrence.  And a .001% chance of a secondary malignant tumor unrelated to the parotid.  Plus the side effects.  That leaves me with:  .025% chance of a malignant parotid tumor, a 2 – 4.5% of losing the facial nerve from a recurrent benign parotid tumor, a .001% chance of a secondary malignant tumor, and a 100% chance of reduced blood flow to my jaw and teeth, as well as heightened sensitivity to the sun.

Of course, the stats are generated by people.  And in general I don’t trust people.

Can I have a moment to think about it?

While pondering this with Danny, a crew of firemen charged into the building and anxiously began examining some piece of equipment behind us.

You never know what or when its going to blow.

© Andrew Lewis

© Andrew Lewis

Friends

These pictures were taken during my simulation in which they made my mask and made some tomographic images to develop my treatment plan.

© Andrew Lewis

© Andrew Lewis

I’m becoming pretty intimate with this machine.  The green laser beam is used to line up my body so the right areas get zapped.  The lining up part still seems a little fishy to me.

© Andrew Lewis

© Andrew Lewis

The radiation oncology resident taped a wire onto my neck so they could better identify the surgery field that had been dissected.  I like this picture because it feels particularly corpse like.  It’s always a nice reminder.  Apologies to those who don’t want to be reminded.

© Andrew Lewis

© Andrew Lewis

This is my friend.  They created the mask during my simulation in a process that was similar to water boarding except without the torture.  They soaked the compound-impregnated mesh cloth in warm water, draped it over my face and bolted it to the table.  My hands were bound with strips of cloth, pulled down and tied to my feet (the idea being to keep my shoulders taut).  I lay there for 20 minutes, waiting for the thing to harden.  I like the anguished  Munsch-like rictus – if ever there were an outer expression of my inner state of being.

Note the masking tape with the guidelines penned in with a felt-tipped marker.  The mouth prosthesis intended to keep my tongue in place was fashioned from a popsicle stick, half a piece of cork, some masking tape, and a pack of sculpy.  We’re talking Apollo 13, here.

I love these guys.

Stars

There’s a lot of concrete in this town. Some people laid this stuff. And now they’re all dead. We traipse across their handiwork, this enormous tombstone, with nary a thought of them.

Fog Horn

I awoke this morning for the first time in San Francisco feeling a little scared.  I lay for a long time in the darkness listening to the wind chimes and the dirge of the fog horns.

I dreamt last night that I was being chased by a man on a motorcycle.  It was dusk.  I was in a moving truck and I pulled off the road into a snowy field.  I climbed out and dove head long into the snow and I buried myself many feet below except that I closed myself in entirely and then I could no longer move.  I could no longer breathe.

I read last night about competing methods of rt and was reminded again that this is no child’s play.  This shit is something that under normal circumstances one tries to avoid.  How could I so willfully and with relatively little forethought have subjected myself to it?  I’ve probably spent more time deliberating over whether to purchase a particular car.

Last night I also cruised through message board posts from people with questions who were undergoing similar treatment.  Call it bad popcorn.  There is so much body wreckage minor and major in this mine field – I don’t want to tread it.  Except that I am.  I awaken right in the middle of it.

CatsM

In an Italian restaurant trying to tank up before I go to bed. The wine tastes sweet, but flat; salt taste is retreating from my palate; water tastes metallic.

An opportunity for another gratuitous post.

I just visited a board for folks with salivary gland tumors. It’s not a community that I necessarily want to be a part of (who does?), but I’ve been able to glean some useful experiential information from the folks over the last few months.

A while ago I stumbled across some posts from a gal, CatsM, who had a stage 4 malignancy of the parotid. We’d been diagnosed at about the same time except that i’m stage 0. We share the same surgeon. And I was taken by her tone: flip, irreverent, humble, and smart. I picture Hilary Swank in Million Dollar Baby. She was set to lick this thing and her course of treatment was full tilt: radical disection and removal of the gland and probable severing of the facial nerve, chemo, radiation in the basement of Zion. Come June she was all done with and things looked good. A few days ago she was readmitted with a high fever. An FNA revealed that the cancer has probably spread to her lymph nodes.

Over the last eight months I’ve probably spent 45 minutes thinking about this girl. Which is pretty disproportionate given that I don’t even know her, and whatever I know of her comes from a handful of sentences she’s posted to a message board. She’s in her 30’s. She’s engaged to be married to a pretty great guy. She rockclimbs, plays tennis, kayaks. Her parents believe in god. She probably doesn’t. But she probably believes in something. Right now she probably rests within a six mile radius of where I now sit.

How is it that people – not even people, but their voices – not even their voices, but our sense of their voices – become lodged in consciousness? And how is it that at this moment I care more for the wellbeing of this stranger than all the other strangers I pass in the street?

I’d like to believe that it has something to do with her, something that is unique to her – call it voice. But what to say, my empathetic response is probably founded in a sense that in one way or another, sooner or later, she and I share the same fate. And that she, in the most courageous way possible, is sustaining the blows before me. And if for that reason alone, out here in the ether, I’m obligated to watch her back.

Buddha

On my way to dinner, talking with Mazie while standing outside an Italian restaurant on Clement.

Something about the eyes, the softness in the smile, the angle of the nose, the crack in the face.

What it looks like

Nothing remarkable,

but at the same time fantastical.

From my perspective I can gather a little information through the white mesh of the mask.  I see a trace of the green laser beam cutting across the tip of the tongue depressor.  I’ve tried to check if it hits the same place each time.  Sometimes I can see the face of the linear accelerator as it repositions around my head.  When they shoot x-ray images I see a broad deep blue flash.

You haul

These people have quite a business. We spend our lives accumulating mountains of shit that we spend our lives keeping in motion. These folks supply all the tools and materials needed to keep it in motion. it’s a grim  enerprise, really.

Moving

11 a.m. On the bus on my way to Patrick’s to help him move. All the san Franciscans are awakening and returning home from their sex parties. Brilliant light, cool air now warming. I would drive but I’m loath to give up my parking space. And besides, from the bus I have at least a few minutes to write and post from my iPhone.

What is the salient image here? The smiling woman standing with her stained comforter? The prep cook catching a smoke in the doorway of the restaurant? The unshaven Hispanic wheeling in the vegetable delivery on a dolly? Or the man in the black sweater and draping pink scarf taking it all in?

Descending into the castro, we pass the storefront that once housed Harvey Milk’s camera store. Why did he own a camera store? What was to be had in it? I doubt it was the cameras. It must have been in the film processing. In the 70’s I’m sure negatives would have passed through that shop that would have violated obscenity laws, convention, what we even desire to see. But those are the images that must be developed. Those are the images to seek.

Briony Tallis

I just finished watching Atonement, the flick based on the Ian McEwan novel.  In the story, a young girl and budding writer witnesses a series of acts that she scarcely understands and tells a story that implicates those around her and changes their lives forever.  For the rest of her life she tries to find a way to redress her mistake.

During the war, as a nurse she tells a dying soldier whom she doesn’t know that she loves him, that she will marry him, that all those whom he knows are fine and well, and she confesses only one truth, that her name is Briony.

Near the end of her own life, long after all the participants are dead, she finds some measure of atonement by writing a book, a true and honest account of the events – no rhymes, no embellishments, no lies – except that she restores the individuals to their original state of happiness.

She believes, we want to believe, in the gracious lie.  But isn’t this the writer’s conceit?  To think that we can undo what we have done simply by writing about it, by telling yet another story, yet another fabrication?  That somehow our imagined understanding of people is commensurate with the people themselves?  I want to tell Briony that atonement must fundamentally be not a statement, but an act.

And so why does she wait until the end of her life to write this book?  This is the tragedy, I think.

The stories that we write are not necessarily those that we were meant to write.  And if it takes a long time to write the stories we were meant to tell, its not for want of courage, but perhaps more due to a lack of wherewithal.  She couldn’t have written it because as she advanced in life, she still didn’t understand, or only understood imperfectly what she had done.  Even at an age senior to any of the participants, we may lack the clarity and prescience to understand and correctly describe and transmit experience.  And we want to get it right, or perhaps even more so, we really are afraid of getting it terribly wrong.  But in the end, we’re left only with our imagination and our pen, and we can only do what we can.  The heartbreak of it all.

Planet Krypton

I’m midway through my second week.

This morning for the first time I decided to open my eyes and see what I could through the mask. The face of the large machine (I don’t even know what to call it) slowly circled and hovered proximate to my neck and jaw. I felt like I was staring into the mouth right at the pearly teeth of a great white.

What if someone comes up and offers you two million to do six rounds with Mike Tyson? Yeah, sure, I can do that. So first round you hop into the ring, for two minutes you dance around a bit, all is good, fun even, and then he pops you one. And then things change. This suddenly doesn’t seem like such a good idea anymore.

My side effects have begun to manifest themselves. Yesterday my morning cup of coffee tasted funny. My saliva is turning sticky. The inside of cheek feels abraded. And if sunlight strikes my neck it instantly feels like a sunburn. No one need remind me to keep it covered.

From the very beginning of this adventure I’ve wondered about the Homer Simpson factor: what happens when you put your average clod in close proximity to a nuclear reactor?

Yesterday in my weekly meeting with Dr. Quivey I asked how they knew if they were succeeding, how did they know they were actually getting the tumor cells?

She looked directly at me with a gentle clear-eyed intensity.

We don’t, she said. And it’s incredibly frustrating. We are in the position of only being able to observe and manage the negative side effects.

But how do you know you’re right? The machines for example – do they ever get out of whack?

The resident quickly piped in. The machines are calibrated every night, he said.

Quivey concurred and added that they check and calibrate the intensity every day. As for the beam vectors they regularly check the alignments.

She once again smiled at me. But they’re machines, she added. And I don’t trust machines. Machines are not to be trusted.

And the 40 variable algorithms?

The same, she said. Sometimes we need to lie in order to get the algorithm to do what we want.

She seems to find great pleasure, glee even, in this. I think of Ahab’s mad glee that drove him to the bottom of the ocean and left Ishmael floating in his coffin. But that glee somehow also tells me that my rad onc is no Homer Simpson. To revel in the risk and the uncertainty, you must first understand deeply what those risks and uncertainties are, perhaps more deeply than all those around you.  And therein lies the beauty:  those who profess to know are liars.

On my busride home today I spoke with my friend Patrick. He asked about my plans and I explained that I needed to unpack, move into my new place, fix the Internet connection, write a bunch, perhaps do some other stuff.

My god, you’re on fire, he said. Perhaps this radiation is turning you into some kind of super hero. Maybe you should get it on a regular basis, he said.

He’s absolutely one hundred percent right.

Perhaps everyone should, I answered.

Dawa

Today I gave a doll to Dr. Quivey, the radiation oncologist managing my care. When I first told my daughter her name, she laughed and asked how I could possibly have a doctor named Quivey. Kwivi in Hopi translates to “particular” or “detail-oriented” or fussy. My Hopi friends concurred, though, that when it comes to a rad onc doc, this is probably a good thing.

The doll I gave her represents Dawa, the sun, but represents more deeply the radiant energy that not only grants us life, but has the power to take it away as well.

He looks nice. I’ve been looking at him for years now, but cannot at all profess to understand what he really means. But I do know what I see. I see rays represented by feathers – which in Hopi cosmology are also the vessel and vehicle for prayers. Eagle down is symbolically conflated with moisture and smoke and the seminal force that through intent is transmuted into life.

And I see that his mouth – the source of breath and utterance – is also represented by a prayer feather. The lower portion of his face is blue, the water world – the subterranean from which all life emerges. The upper is composed of the two halves of the celestial vault and the cyclical waxing and waning of energy and life that occurs each day and in each year and in the course of all of our lives. The beaded horizontal line appears to be where we are – the thin material and terrestrial plane in which we exist for a moment. And the vertical bead suggests the channel by which we emerge from one world to the next. It’s the birth canal and the point of exit when we die. And if we live right, it’s the gradual and wonderful process of unfolding as the world reveals itself over time.

I feel grateful to my doctor and (hopefully limited) executioner. I wouldn’t want it any other way.

© Andrew Lewis

© Andrew Lewis

From my brother

I told my brother about the earlier posts.  In a gracious gesture, he said they could stand, though I know he doesn’t necessarily want his life splayed across the Information Highway like so much roadkill.

He also cc’d me on an email which I’ll post in part:

“i can say too that a week later i have become more certain than ever that the healing power of love and music is quite profound.

now, for the the next six weeks i have a singular focus, and that is to be there for andy and for me this simply means that i be mindful in keeping him in a loving space within my thoughts and i truly believe that the more people that do this the better he will be as will we all.

so…here’s the picture…every morning…monday through friday…andy is getting these high energy radiation treatments from a machine that was conceptualized and manufactured in the heart of the imperium as a product of love by a people that care for each other enough that they have created an instrument that can bestow life in a sense upon each of us.

thus i say, that we as a community must simply think of andy being embraced by love every morning between eight and nine am as he goes through what is in essence a profoundly healing experience.”

Machinery of love. Yes.

Distortion

I took these pictures of the bay bridge after giving my brother his things.

Everything appears to me slightly distorted these days.  Par for the course, I guess.

© Andrew Lewis

© Andrew Lewis

© Andrew Lewis

© Andrew Lewis

Pele’s Hair

I’m tired and its done with.

My car, parked on the Santa Cruz pier, is filled with my brother’s stuff. It’s night and I’ve done my best to decompress, eating a fish taco, drinking a beer, and staring out at the double masted boats floating in the placid harbor. The sun has set, it’s dark out, and its time to drive back to San Francisco on Route 17, the torturous curvy highway heading over the hills into Los Gatos and the valley.

I know what that road is about and I’m suddenly conscious of the load we are carrying – my brother’s life, his psychic distress, and the handful of volcanic rocks that 10 years ago he pilfered from Hawaii. Ever since then his luck has not been so good and at different times he faults the rocks. We all grew up with the Brady Bunch and goddamn do we ever know the power of that pumice: after taking some while on their family vacation, Greg Brady almost died in a surfing accident. The power of these things are not to be messed with. And god knows, my brother has had his share of surfing accidents: broken cars, broken relationships, lost jobs, all manner of misfortune. And at each bad turn in the road he’s vowed that he has to retrieve those rocks and return them to Hawaii.

Which is fine. I support him in that endeavor except that I now find myself in the curious position of being the ring-bearer. I am in possession of these things – their totemic power real or imagined, it does not matter. I am the one now responsible for carrying them a few steps toward Mordor. I have to carry them over the mountains, into the valley and back to San Francisco, at night, in uncertain traffic. What have I stepped into? This is not at all something I wish to be part of. And then suddenly I sense that I need to make an offering. I need to make a sacrifice. As we leave our restaurant table, I cast about looking for something, anything. I take a piece of jicama from my plate and some tortilla chips which I crush up and wrap in a napkin. But as we walk down the pier I realize that a sacrifice can’t be a paltry leftover, it means giving of something important, something that matters. But what do I have to give? I ask my friend Eva for something sharp, a penknife or safety pin. She wants to know why. Just to prick my finger, I tell her. Her face immediately registers concern, even fear. Are you crazy? she asks. I explain about the rocks, but she shakes her head in frustration – they’re rocks, she says. This is stupid, we just drive home.

I insist and walk away over to a fisherman who in the darkness is longpoling off the pier. I ask if he has a spare fishhook. He too looks at me as if I’m crazy, which at this point I guess I am. What for? he asks. Eva takes my arm and leads me away. Communism has done its work on her – prayer is a fiction. She is dyed and true a spiritual materialist who refuses to believe in superstition. But she has no idea from where I come. We stop by the car and I walk away to the railing and I lean out over the black and inky water. I think of that water, that immense body from which we all emerged. I think of it extending almost boundlessly to the west out into a deep and impenetrable darkness. I think of those specks of land in its midst, a place in which the core of the earth itself is heaving up, molten and hot and breaking forth into the air and universe. I think of Pele, of her anger and spiteful temper. I think of her boundless hurt, of her wanting to be heard. I tell her that I want to reconstitute her, but I am only a servant in this. I can only play a small part. But I can do my best. I will do what I can to return what is hers, to make her once again whole. I have her interests at heart. Trust me. Protect us and carry me home. I unfold the napkin. The contents fall and drift silently through the air and I feed the water.

One Hundred Suns

Mid-day on Friday, Hiroshima Day, I drive to Santa Cruz with my current roommate Eva Pavelka.  She has the day off and I have just received nominal permission from my brother to go to his old house and retrieve his most important belongings.  He and his former girlfriend are no longer speaking and he’s unable or afraid to enter the house and if these things are not removed they will all be put in the trash.  He has listed on the back of a napkin the items I should look for:  his bag of volcanic rocks from Hawaii, a taillight, a small box of feathers that had belonged to our mom, a box of photos, some clothes, a sleeping bag, a book about the 20th century.  I ask Eva to come to bear witness and to help intervene as a neutral party in case there are any issues.

As we drive into Santa Cruz, my brother calls and ask us not to get his things.  It’s all over, he says, he wants nothing to do with his girlfriend, he doesn’t want any further violation, it’s all over, he says.  But it’s too late, the train has already left the station. We have entered Santa Cruz and we drive to his house and his girlfriend welcomes us into the living room stacked floor to ceiling with his boxes.  It’s complete chaos.  I set to going through them, quickly, methodically, with absolute intent.  The rocks are outside.  Journals are found.  Photos.  The small box of feathers.  I find wonderful books, bought new, still in their bags, lost in the bottom of boxes.  In one, I find a stunning art photo book, 100 Suns, documenting in large format photographs 100 nuclear mushroom clouds.  The book, new, untouched, still taped up in mylar, feels terrifying and hot.  I know why my brother has it.  Our father had died of a brain tumor.  In the 1950’s and 60’s he was researching mining history and spent several summers in Nevada at the time of the nuclear test blasts.  I grab the book and without thinking thrust the volume into one of the boxes that Eva carries outside to put in the car.

The girlfriend is sad and distraught over the breakup.  At some point her mother comes out – a sweet woman, with the air of being intensely calm and tired, she is dying of ovarian cancer.  Over three hours we find most about everything.

We are about to wrap and leave, when the girlfriend asks tentatively if we had taken 100 Suns. She was afraid to ask, had been wanting to ask, but couldn’t.  It had been promised to her as a Christmas present, but she had never received it.  Of course.  As far as I knew, it was hers to keep.  Eva retrieves the book but I ask if I can unwrap it and for just a moment look at the pictures.  When I am finished I stand and carry the book to the girlfriend, for a moment the book rests in the center of a triad – she, Eva, and myself.

Perhaps herein lies my brother’s genius.  Who cast these vectors that have traveled through time and space to intersect here between us in this fraction of a second in the nucleus of this book?  The girlfriend and her mother burning into dissipation; me, each morning gratefully submitting to a machine that fires high dose x-rays through my skull and brain; and Eva, who one morning twenty years ago had awoken in Czechoslavakia to learn of a burning reactor hundreds of kilometers away that by then had already dosed her body with toxic levels of radiation.

Dry Heat

This afternoon I had my dry run before I begin six weeks of radiation.

Whoa.

My daughter asked me if it was fun.  Yes it was, I told her.  And it was also scary.

I strolled into the basement of Mt. Zion, they pointed me to the men’s changing room, I rummaged through a box of striped gowns (they reminded me of Holocaust wear), threw one on, was guided into a sweet catapulting room with cherry floors, lay down on a softly cushioned table, jammed a prosthetic in my mouth to prevent my tongue from moving and a few moments later two men bolted my head down with a mesh mask and split from the room.

Right on.  They told me they were taking x-rays which might have been a dumbed down euphemism for something else.  I heard a heavy whooshing sound, like the proximate breath of some very large reptile.  Every so often I would register an intense blue white flash followed by a strange sharp odor lodged somewhere between my nostrils and my tongue.  It smelled as if the air itself was burning.  Not cool.

I followed my breath.  I tried not to swallow.  I composed long sentences in my head.  Not much different than any other time except for the swallowing part.  I wondered about how much tolerance there was in the measurements – what would I fry in my head if I tricked my neck a millimeter to the left or to the right.  I tried not to trick my neck.  I hoped that their measurements were right.

After 20 minutes it was over.  I mentioned the smell to the rad tech.  Only a small number of people can see and smell it, he said.  What’s up with that, I wondered.  We all have eyes and tongues and noses.  There shouldn’t be that much variability in this stuff, in our bodies, in energy moving through those bodies.  And in my mind, in this game, variability is also not cool.

I grabbed my stuff.  I snapped some pictures.  Rad tech John handed me a green appointment slip for my first dosing.  8:30 am.  Monday.

Watching

I’m being watched. And grateful for it. So grateful. There’s a story, possibly apocryphal, during the Purges, the reign of terror, under Stalin. At the height of the cult of personality, the terror was coupled with an intense cowering before and adulation of the immensity of it all. In particular of the Big Guy. At night couples, families would be walking through Red Square and they would see a lone light burning in the Kremlin. “Look,” they’d say in hushed whispers. “Stalin is working.”

Of course it might not have been adulation at all and instead standard issue Russian black humor.

Regardless. Beneath the heat of that gaze be it real or imagined, partial and human or that of a cool eyed whithering executioner, we’re reminded to get with the program.

It’s so important to get with the program.

Reality

Okay. I’m downstairs in the Grand Cafe. I order a dry cap, but the foam is a little too wet and already collapsing, the shots pulled long. I get my box of pastries. Good enough.

Back at the room, I run the bath, I gather up the paper, I organize my coffee and my pastries, and I climb in the water. It’s hot. I mean really hot. I’m sweating. I take a bite of pastry. Okay. I try to read, but its kind of hard. I’m sweating. I think I’m reading about whether we’re entering a recovery or not. I take a sip of coffee.

I wait a few minutes, but my phone doesn’t buzz.

Dang it.

What’s the pleasure in something undeserved? A bath, any pleasure really, must be earned and earned in the right way. Even by the end of today if I’m lucky I’ll have spent the better part of my time writing. But I will not have run 12 miles or heaved a ton and a half of coal or been zapped by a few centigrays of uranium. No heavy lifting (really heavy lifting) whatsoever.

So there you have it: stuck yet at the Monaco, staring at the most lovely of cakes, with no desire (let alone right) to eat it.

Fantasy

So I’m in this hotel. I got some crazy ass free upgrade. Corner room – actually rooms, like 900 sf. and a bathtub that could fit three people. Except that I don’t have three people: just me. And it’s 9:30 am and I feel I need to take advantage of this tub and I have this fantasy (wait, stop, check your thoughts – this isn’t going where you think):

I’m in the deep swimming pool tub. The water is hot and steaming. A dry cappuccino in a porcelain cup rests delicately beside me. A plate of buttery pastries with fruit jam. I’m reading the New York Times, careful not to get the edges wet. My phone buzzes. I pick it up and glance at the message. 4 letters, some number. I purse my lip and ponder for a moment. I carefully text back the word SELL. I return to my paper.

Nice.

Beers with your bros’

Grand Cafe. Union Square. On my second pint and my pure blue dem fundraiser for CA assemblywoman barmate announces that Obama has had a sitdown with Gates and the cambridge cop. Some might consider it the most naked media photo op. I differ. One, this conversation was bound to happen. Who better equipped to have a thoughtful, bristly, well-informed discussion about race relations than these three men? And, two, who better equipped to call the two antagonists together than Barry O? He can advise Gates to sit down and shut up. And he can tell Crowley to reign it in. And he can provide space for them to talk. This conversation could have, should have, and probably would have occurred anyway, and might have been better in private. Instead it’s public. Whatever. It doesn’t negate the value in it happening.

Anything to quiet the noise, move dialogue forward, and put the nonsense to bed.

Recovery art

I think they need a little help here.