St. Vrain

Saint Francis Saint Veranus What if it’s not real? my daughter asks. I mean, what if none of that Jesus stuff happened and two thousand years of religion was based on it?  What a total complete waste of energy.  All the churches and wars and books and songs and stuff might be based on something that never existed. Just think of the amount of time people have spent on this stuff, she said.

Indeed.

The St. Vrain Creek running through Lyons, Colorado is not directly named, as one might suppose, for Saint Veranus di Camillon, but instead for Ceran de Hault de Lassus de St. Vrain, a child born of French nobility in St. Louis in 1802, who later decamped to the American West in the 1830’s to establish himself in the fur trade. To distinguish himself from his brother, he appended the St. Vrain.  He was responsible in part for the collapse of the Western beaver populations by 1842. He later helped crush the Taos uprising after the native Puebloans and Mexicans defending themselves against the invading Americans killed and scalped his trading partner, William Bent.  The volunteers serving under St. Vrain killed more than 150 rebel Taoans and Mexicans.  St. Vrain later served as a translator for the rigged military tribunal.  Deliberating for only a few minutes, the angry mob commended fifteen more souls to death.

Taos uprisingThe Taoans originally followed the intricate Puebloan ceremonial cycle, but later subsumed their beliefs to Catholicism after the Reconquest in 1692.  In that year, Diego de Varga retook the Southwest and subjected the natives once again to Spanish rule and the dominion of the Franciscans.

Which leads to a greater irony.  In April 1847, a man of French descent who carried the name of Saint Veranus, a 6th century French bishop known for his charity, bore witness against 15 Mexicans and Taoan rebels who were then hung for treason.  Fifteen men who had allied themselves to the will of St. Francis – patron saint of animals, the environment, Italy, merchants, stowaways, and the Cub Scouts – fell to the will and untoward legacy of St. Veranus, the patron saint of nothing in particular.

An even greater tragedy is that you couldn’t make this stuff up. It’s enough to make you believe in God. And what a fellow he is.

taos_cemetery_2007x2

From the Other Side

OLYMPUS DIGITAL CAMERAThis is a keeper.

Last night, Mazie hovered in the dark in a squatted campsite and pulled eerie sounds out of her violin. Her companion was Mark Risius, he crouched on the ground, his guitar illuminated by a headlamp. These two musicians had just met and had unpacked their gear right there in the pitch where they happened to be. They didn’t know no notes, they didn’t know no theory. Right then it was about giving voice to that strange sound busting inside them.

Mark is a full instrument.  He’s classically trained and knows his stuff.  But for now imagine a guy tooled up with a can opener, three rubber bands, an old apple box and a saw. But imagine that all these things are in fact a guitar. He sets it on his lap and plays percussive on the body and the frets doubled capoed as if he’s trying to pull as many different kinds of sound out of the box and let it be a channel for his ADD or autism, I don’t know which.

He plays with his whole body as if palpating the sound itself. You can actually see it.  Something writhes inside  him as if it’s trying to come through from the other side and it senses his body as a portal. He picks up his guitar, and then Bam! This thing – part physical, part sexual, part something else – bursts out and is loosed free upon this world.

Marks an interesting guy. And for a lot of reasons. Clinicians might call it ADD. But it might also be remaining present with whatever is directly in front of you at that moment.

I bump into Mark again this morning – he’s on his way to class because, well, class really is the most important thing. But now we’re together and we’re talking about their jam session and now our conversation becomes the most important thing. We talk about Tangle Eye. We talk about Tom Waits doing a slap down to Mick Jagger in the Oakland Coliseum because that also is the most important thing.

Stay tuned.  Mark, I sense, is a live wire, an antenna to the world, and in his thoughts and receptive hands, invisible currents will soon be made apparent.

Learning to Stand

Colorado SkyThe first thing she learned as a three year old violinist was how to bow. From that first gesture all things commence.

For most of yesterday, I holed up in the Stone Cup coffee house excepting a break to go back to camp and eat lunch with Mazie and listen to her sing a song she had written that morning about her song writing partner. In turn, her partner was supposed to write a song based on stories Mazie had told her. I asked her what she had talked about and Mazie wouldn’t tell because she “didn’t like me and didn’t want to share her stories.” Which is what, I think, this time is all about. After sharing lunch, she lamented that she wanted to connect with some other people, but didn’t quite know how to do it. I listened and made some feeble suggestions and then she was off, making as many tracks away from me as she could.

There’s the doing. And then there’s the allowing. The doing is the driving and periodic suggesting and the working and the paying for. And the allowing is the stepping back and letting her discover the person she is meant to be. Both, in their own ways, will go unrecognized. This morning after walking away, i caught sight of her writing in her songbook in the tent. And all yesterday and this morning she recognized people from Telluride and parts known and unknown. And I realized that our daughter was finally stepping out on her own.

We need to help her stand independently. But the sentiment immediately collapses in on itself. How do you help someone be independent?   We have to not help.  Instead we need to walk away.

So for the week, I’m her on call mule. If she needs an assist, I’m there for her.  But she knows what she needs to do.  And where she needs to go.  And it’s time to go.  And it will mostly be without either of her parents.  And, by definition, the very best parts of it neither of us will be there to witness.

Late on our first evening, she asked me what I wanted to do. After the long drive,  all I wanted was to pop some benadryl and go off to bed.  I told her as much.  But if there’s something else you want to do, I said, I’ll do it.  Well maybe I’ll just go to bed, she whispered. But then she hesitated, turned, walked over to a circle of musicians and pulled up a chair.  I followed. They asked if she wanted to play and she took the guitar and played a Patti Griffith song. She then left and returned with her violin.

A fellow asked if she could accompany him on a song . What would she like? he asked.

Something slow, she said.

And what key?

It doesn’t matter, she said. The fellow started to play, and within half a bar Mazie had  raised the violin to her chin. And then she fell in and let her instrument sing in a sweet and aching way. He sang and turned to her and the violin carried on, bearing the song in new directions and then back around so that he could carry it again. And like that they travelled for quite a while.  Folks sat, intrigued it seemed, and strangely moved.

How long have you been playing with your dad, another musician asked as they finished.

He’s not my dad, Mazie announced. I’ve never seen this girl before in my life, the song writer said.